(selected; for a more complete list, see CV)
Bach
“‘Es fällt kein Meister vom Himmel’: W. F. Bach’s Juvenilia and the Methods of Creative Imitation,” in Studies on Authorship in Historical Keyboard Music, ed. Andrew Woolley, Ashgate Historical Keyboard Series (Aldershot: Ashgate, 2023), 147–66. link
“Copying Bach: Compositional Emulation and Originality in Apprenticeships with J. S. Bach, 1720–1750,” Ph.D. Dissertation, Cornell University, 2019. link
“Corrections and Amplifications to Robin A. Leaver’s Inventory of Catholisches Gesang-Buch, Leipzig, 1724.” (2019) [unpublished typescript] link
“Johann Sebastian Bach,” [textbook chapter] in A-R Online Music Anthology ed. Jonathan Rhodes Lee (Middleton, WI: A-R Editions, [2018]). link
“Keyboard Technique as Contrapuntal Structure in J. S. Bach’s Clavier Works,” Understanding Bach 10 (2015): 85–108. link
Review of Johann Sebastian Bach, Complete Organ Works, vols. 1 and 2, ed. David Schulenberg,
Eighteenth-Century Music 12, no. 2 (2015): 246–47. link
Haydn
“Minor-Mode Sonata-Form Dynamics in Haydn’s String Quartets,”
HAYDN: Online Journal of the Haydn Society of North America 9, no. 1 (2019). link
Keyboard Music
“Pierre Nicolas La Font’s Recently Recovered Harpsichord Music and Its New Critical Edition,”
Keyboard Perspectives 11 (2019): 37–45.
Review of John Sheeles, Suites of Lessons for the Harpsichord or Spinet, Book 1 (1724) and Book 2 (c.1730), 2 vols., ed. Michael Talbot, Eighteenth-Century Music 16, no. 1 (2019): 74–76. link
“François Couperin on Touch, Movement, and the Soul,” Keyboard Perspectives 10 (2017): 19–37. link
“Charles Dieupart’s Six suittes (1701–1702) and the en concert Performance Tradition,” The Viola da Gamba Society Journal 4 (2010): 6–35. link
- Revised as “Suites en concert: An Overlooked Performance Tradition” (2012) [unpublished typescript]
Renaissance Studies
“Improvised Ensemble Counterpoint: On the Notation of the Bass in Agostino Agazzari’s Eumelio (1606),” Early Music 48, no. 2 (2020): 177–192. link
“Brumel’s Laudate Dominum de caelis and the ‘French-court’ Motet,” Journal of the Alamire Foundation 18, no. 1 (2016): 33–54. link
Agostino Agazzari, Eumelio (Rome, 1606). ed. Matthew J. Hall, Elizabeth Lyon, and Zoe Weiss. A-R Editions (2022). link
Creative
“Benedict XVI on Bach” [essay] link
“Contemplating with Raphael,” Fragments: Journal of Art and Thought 1 (2019). link
“Matter and Substance (Prose Poem),” Fragments: Journal of Art and Thought 1 (2019). link
“Dialogue (Poem),” Claritas 7 (2019): 23.
“Vision (Prose-Verse Diptych),” Claritas 7 (2019): 24.